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Bassano, Jacopo (Jacopo da Ponte) (c.1510/18 - 1592). Italian painter, the most celebrated member of a family of artists who took their name from the small town of Bassano, about 65 km. from Venice.
Apart from a period in the 1530s when he trained with Bonifazio Veronese in Venice, Jacopo worked in Bassano all his life. His father, Francesco the Elder (c.1475-1539), was a village painter and Jacopo always retained something of the peasant artist, even though the influence of, for example, the fashionable etchings of Parmigianino is evident in his work.
He treated biblical themes in the manner of rustic genre scenes, using genuine country types and portraying animals with real interest. In this way he helped to develop the taste for paintings in which the genre or still-life element assumes greater importance than the ostensible religious subject. From around 1560 his work became vested with a more exaggerated search for novel effects of light, taking on something of the iridescent coloring of Tintoretto.
Bassano had four painter sons who continued his style -- Francesco the Younger (1549-92), Gerolamo (1566-1621), Giovanni Battista (1553-1613), and Leandro (1557-1622). Francesco (who committed suicide by throwing himself out of a window) and Leandro both acquired some distinction and popularity working in Venice. The work of the family is well represented in the Museo Civico at Bassano.
76.5K, 551 x 800
Originally painted for the Church at Tomo