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 Bronzino, Agnolo

Bronzino, Agnolo (Agnolo di Cosimo) (1503-72). Florentine Mannerist painter, the pupil and adopted son of Pontormo, who introduced his portrait as a child into his painting Joseph in Egypt (National Gallery, London).

The origin of his nickname is uncertain, but possibly derived from his having a dark complexion. Bronzino was deeply attached to Pontormo and his style was heavily indebted to his master. However, Bronzino lacked the emotional intensity that was such a characteristic of Pontormo's work and excelled as a portraitist rather than a religious painter. He was court painter to Duke Cosimo I de Medici for most of his career, and his work influenced the course of European court portraiture for a century. Cold, cultured, and unemotionally analytical, his portraits convey a sense of almost insolent assurance.

Bronzino was also a poet, and his most personal portraits are perhaps those of other literary figures (Laura Battiferri, Palazzo Vecchio, Florence, c.1560). He was less successful as a religious painter, his lack of real feeling leading to empty, elegant posturing, as in The Martyrdom of S. Lorenzo (S. Lorenzo, Florence, 1569), in which almost every one of the extraordinarily contorted poses can be traced back to Raphael or to Michelangelo, whom Bronzino idolized. It is the type of work that got Mannerism a bad name. Bronzino's skill with the nude was better deployed in the celebrated Venus, Cupid, Folly, and Time (National Gallery, London), which conveys strong feelings or eroticism under the pretext of a moralizing allegory. His other major works include the design of a series of tapestries on The Story of Joseph for the Palazzo Vecchio.

He was a much respected figure who took a prominent part in the activities of the Accademia del Disegno, of which he was a founder member in 1563. His pupils included Alessandro Allori, who--in a curious mirroring of his own early career--was also his adopted son.


558 x 700 35.6K
35.6K, 558 x 700

Bartolomeo Panciatichi
Oil on wood
Uffizi
The Deposition of Christ
(replica)
Painted: 1560
Oil on wood and fresco
Chapel of Eleonora of Toledo
Palazzo Vecchio

800 x 398 36.4K
36.4K, 800 x 398

572 x 750 56.5K
56.5K, 572 x 750

Lucrezia Panciatichi
Painted: 1540
Oil on wood
Uffizi
Bia
(The Illegitimate Daughter of Cosimo I de' Medici)
Painted: before 1542
Oil on wood
Uffizi

519 x 700 53.6K
53.6K, 519 x 700

524 x 700 45.3K
45.3K, 524 x 700

Cosimo I de' Medici
Oil on wood
Uffizi
Eleonora of Toledo
(with her son Giovanni de' Medici )
Painted: 1550
Oil on wood
Uffizi

540 x 700 52.7K
52.7K, 540 x 700

509 x 650 39.1K
39.1K, 509 x 650

Don Garcia de' Medici
Painted: 1550
Oil on panel
Prado
Lucrezia Panciatichi
Painted: 1540
Oil on wood
Uffizi

558 x 700 41.4K
41.4K, 558 x 700