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Bruegel, Pieter the Elder |
Pieter Bruegel (about 1525-69), usually known as Pieter Bruegel the Elder to distinguish him from his elder son, was the first in a family of Flemish painters. He spelled his name Brueghel until 1559, and his sons retained the "h" in the spelling of their names. Pieter Bruegel the Elder, generally considered the greatest Flemish painter of the 16th century, is by far the most important member of the family. He was probably born in Breda in the Duchy of Brabant, now in The Netherlands. Accepted as a master in the Antwerp painters' guild in 1551, he was apprenticed to Coecke van Aelst, a leading Antwerp artist, sculptor, architect, and designer of tapestry and stained glass. Bruegel traveled to Italy in 1551 or 1552, completing a number of paintings, mostly landscapes, there. Returning home in 1553, he settled in Antwerp but ten years later moved permanently to Brussels. He married van Aelst's daughter, Mayken, in 1563. His association with the van Aelst family drew Bruegel to the artistic traditions of the Mechelen (now Malines) region in which allegorical and peasant themes run strongly. His paintings, including his landscapes and scenes of peasant life, stress the absurd and vulgar, yet are full of zest and fine detail. They also expose human weaknesses and follies. He was sometimes called the "peasant Bruegel" from such works as Peasant Wedding Feast (1567). |
![]() 150.6K, 1107 x 774 | Peasant wedding Painted: 1568 Oil on wood 114 x 164 cm Kunsthistorisches Museum Vienna |
He developed an original style that uniformly holds narrative, or story-telling, meaning. In subject matter he ranged widely, from conventional Biblical scenes and parables of Christ to such mythological portrayals as Landscape with the Fall of Icarus; religious allegories in the style of Hieronymus Bosch; and social satires. But it was in nature that he found his greatest inspiration. His mountain landscapes have few parallels in European art. Popular in his own day, his works have remained consistently popular. Bruegel died in Brussels between Sept. 5 and 9, 1569. |
![]() 178.8K, 1143 x 755 | Landscape with the Fall of Icarus Painted: 1558 Oil on canvas, mounted on wood 73.5 x 112 cm Musees royaux des Beaux-Arts de Belgique Brussels |
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Gallery |
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The Adoration of the Kings Painted: 1564 Oil on canvas 111 x 83.5 cm The National Gallery London | Winter Landscape with a Bird Trap Painted: 1565 Oil 38 x 56 cm Wiltshire Wilton House |
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The Harvesters Painted: 1565 Oil on wood 118.1 x 160.7 cm Metropolitan Museum of Art New York | The "Little" Tower of Babel Painted: 1563 Oil on panel 60 x 74.5 cm Museum Boymans-van Beuningen Rotterdam |
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The Fall of the Rebel Angels Oak Musée des Beaux-Arts Brussels | The Tower of Babel Painted: 1563 Oil on oak panel 114 x 155 cm Kunsthistorisches Museum Wien Vienna |
![]() 196.0K, 1061 x 800 |
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The Beggars Painted: 1568 Wood Louvre | The painter and the buyer Painted: 1565 Pen and black ink on brown paper 25 x 21.6 cm Albertina Vienna |
![]() 153.4K, 651 x 778 |
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The Procession to Calvary Painted: 1564 Oil on canvas 124 x 170 cm Kunsthistorisches Museum Wien Vienna | The Peasant Dance Painted: 1568 Oil on oak panel 114 x 164 cm Kunsthistorisches Museum Wien Vienna |
![]() 154.4K, 1111 x 776 |
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The Triumph of Death Painted: 1562 Oil on panel 117 x 162 cm Museo del Prado Madrid | The Hunters in the Snow Painted: 1565 Oil on panel 117 x 162 cm Kunsthistorisches Museum Wien Vienna |
![]() 217.6K, 1022 x 753 |
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Netherlandish Proverbs Painted: 1559 Oil on oak panel 117 x 163 cm Gemaldegalerie Berlin | Dulle Griet (Mad Meg) Painted: 1562 Oil on panel Museum Mayer van den Bergh Antwerp |
![]() 200.2K, 1083 x 784 |
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Pieter Brueghel the Younger |
Pieter Brueghel the Younger
(1564-1638) was the elder of two sons born
just a few years before their father's death. Known as "Hell Brueghel"
because of his fascination with hobgoblins, fires, and grotesque figures, he
made his career in Antwerp, where he became a master in the guild in 1585. He
is best known as a copyist of his father's paintings, as they were both
popular and scarce. In his own canvases, such as
Village Fair and
The Crucifixion,
he shows a firm grasp of space and movement. His son,
Pieter Brueghel III
(1589-1640), was also known primarily as a copyist.
Jan Brueghel (1568-1625), called the "velvet Brueghel," was the second son of Pieter Bruegel the Elder and, like his brother Pieter Brueghel the Younger, made his career in Antwerp. Known for his still lifes of flowers and for his landscapes, he was a friend of Peter Paul Rubens and collaborated with him in paintings such as Adam and Eve in Paradise. He specialized in small wooded scenes that were finely finished and brightly colored. His style was perpetuated by his sons Jan Brueghel II (1601-78) and Ambrosius Brueghel (1617-75), whose sons carried on the tradition into the 18th century. |