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Piero della Francesca |
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Piero della Francesca
(1420?-92). One of the great artists of the early
Italian
Renaissance,
Piero della Francesca painted religious works that are
marked by their simple serenity and clarity. He was also interested in
geometry and mathematics and was known for his contributions in these fields.
Although the date and place of Piero della Francesca's birth are not definite, it seems likely that he was born in about 1420 in Sansepolcro, Italy. His father was a well-to-do tanner and shoemaker, and Piero's varied accomplishments indicate that he received a good education. He probably studied painting with one of several skilled artists of the Sienese school who lived in Sansepolcro. By 1439 Piero was working with Domenico Veneziano on frescoes for the hospital of Santa Maria Nuova in Florence. His experience and contacts in Florence, where he would have seen the works of such sculptors, artists, and architects as Donatello, Brunelleschi, Masaccio, and Fra Angelico, had a profound influence on Piero's style. Piero was skilled in perspective, and his paintings are also known for the care with which he rendered the landscapes that provide the backgrounds for his figures. Throughout his life he maintained his ties with Sansepolcro, but he traveled widely. In addition to Florence, he also worked in Rimini, Arezzo, Ferrara, and Rome. For Count Federigo da Montefeltro he painted a diptych, or two-panel painting, that portrays the count and his wife and was probably done in honor of their wedding. Another notable accomplishment of Piero's was a series of frescoes entitled The Legend of the True Cross. In the last years of his life Piero apparently ceased painting to pursue other interests, including writing. He wrote a treatise on painting and others on geometry and applied mathematics. It is said, but not proved, that he lost his sight toward the end of his life. Piero died in Sansepolcro on Oct. 12, 1492.
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![]() 182.6K, 1106 x 775 |
The Flagellation Painted: 14696 Oil and tempera on panel 58.4 x 81.5 cm Galleria Nazionale delle Marche Urbino |
Polyptych of Saint Augustine Painted: 1454 Oil and tempera on panel Saint Augustine 132 x 56.5 cm Museo de Arte Antiga Lisbon |
![]() 186.4K, 871 x 997 |
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Sigismondo Pandolfo Malatesta Painted: 1451 Oil and tempera on panel 44 x 34 cm The Louvre Paris |
Montefeltro Altarpiece Painted: 1465 Oil on panel 248 x 170 cm Pinacoteca di Brera Milan |
![]() 208.6K, 760 x 1116 |
![]() 223.8K, 863 x 960 |
Resurrection Painted: 1463 Mural in fresco and tempera 225 x 200 cm Museo Civico Sansepolcro |
Polyptych of Saint Augustine Painted: 1454 Oil and tempera on panel 131.5 x 57.8 cm Saint John the Evangelist Frick Collection New York |
![]() 144.7K, 868 x 988 |
![]() 136.4K, 986 x 868 |
Polyptych of the Misericordia Painted: 1445-62 Oil and tempera on panel Base 330 cm, height 273 cm Pinacoteca Comunale Sansepolcro |
The Baptism Painted: 1442 Tempera on panel 167 x 116 cm National Gallery London |
![]() 179.1K, 764 x 1114 |
![]() 191.7K, 901 x 947 |
Madonna del parto Painted: 1467 Detached fresco 206 x 203 cm Santa Maria a Nomentana Monterchi |
St. Julian Painted: 1470 Fresco 130 x 105 cm Museo Civico Sansepolcro |
![]() 240.0K, 801 x 1040 |