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Delacroix, Eugène |
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Delacroix, Eugène, in full ferdinand- victor-eugene delacroix
(b. April 26, 1798, Charenton-Saint-Maurice, Fr.--d. Aug. 13, 1863,
Paris), the greatest French
Romantic
painter, whose use of colour was
influential in the development of both
Impressionist and
Postimpressionist painters. His inspiration came chiefly from
historical or contemporary events or literature, and a visit to
Morocco in 1832 provided him with further exotic subjects.
Eugene Delacroix is numbered among the greatest and most influential of French painters. He is most often classified as an artist of the Romantic school. His remarkable use of color was later to influence impressionist painters and even modern artists such as Pablo Picasso. Ferdinand-Victor-Eugene Delacroix was born on April 26, 1798, in Charenton-St-Maurice, France. In 1815 he became the pupil of the French painter Pierre-Narcisse Guerin and began a career that would produce more than 850 paintings and great numbers of drawings, murals, and other works. In 1822 Delacroix submitted his first picture to the important Paris Salon exhibition: Dante and Virgil in Hell. A technique used in this work--many unblended colors forming what at a distance looks like a unified whole--would later be used by the impressionists. His next Salon entry was in 1824: Massacre at Chios. With great vividness of color and strong emotion it pictured an incident in which 20,000 Greeks were killed by Turks on the island of Chios. The French government purchased it for 6,000 francs.
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The Massacre at Chios Painted: 1824 Oil on canvas Louvre |
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Impressed by the techniques of English painters such as
John Constable,
Delacroix visited England in 1825. His tours of the galleries, visits to the
theater, and observations of English culture in general made a lasting
impression upon him.
Between 1827 and 1832 Delacroix seemed to produce one masterpiece after another. He again used historical themes in The Battle of Nancy and The Battle of Poitiers. The poetry of Lord Byron inspired a painting for the 1827 Salon, Death of Sardanapalus. Delacroix also created a set of 17 lithographs to illustrate a French edition of Goethe's Faust.
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Art Institute of Chicago Painted: 1827-28 Pastel with chalk over wash on paper Art Institute of Chicago |
The Death of Sardanapal Painted: 1827 Oil on canvas 392 x 496 cm Musee du Louvre Paris |
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The French revolution of 1830 inspired the famous Liberty Guiding the People, which was the last of Delacroix's paintings that truly embodied the romantic ideal. He found new inspiration on a trip to Morocco in 1832. The ancient, proud, and exotic culture moved him to write "I am quite overwhelmed by what I have seen."
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MORE INFO La Liberté guidant le peuple Painted: 1830 |
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In 1833 Delacroix painted a group of murals for the king's chamber at the
Palais Bourbon. He continued doing this type of painting, including panels
for the Louvre and for the Museum of History at Versailles, until 1861. Much
of the architectural painting involved long hours on uncomfortable
scaffolding in drafty buildings, and his health suffered. He died on Aug. 13,
1863, in Paris. His apartment there was made into a museum in his memory.
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Andromeda Painted: 1852 Oil on canvas 32.5 x 24.8 cm Museum of Fine Arts Houston |
Arab Horseman Attacked by a Lion Painted: 1849-50 Oil on panel Art Institute of Chicago |
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The Barque of Dante Painted: 1822 Oil on canvas 189 x 242 cm Musee du Louvre Paris |
Combat of Giaour and Hassan Painted: 1826 Oil on canvas Art Institute of Chicago |
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The Jewish Bride of Tangier Painted: 1832 Watercolor over lead pencil on beige paper Louvre |
Lion Hunt Painted: 1860-61 Oil on canvas Art Institute of Chicago |
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Orphan Girl in a Cemetery |
Ovid Among the Scythians National Gallery London |
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The Sea of Galilee Walters Art Gallery Baltimore |
Arabian Horses Fighting in a Stable Painted: 1860 Oil on canvas 64.5 x 81 cm Musee d'Orsay Paris |
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Lion Hunt Painted: 1854 Oil sketch 86 x 115 cm Musee d'Orsay Paris |
The Abduction of Rebecca Painted: 1846 |
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Algerian Women in Their Apartments Painted: 1834 Oil on canvas 180 x 229 cm Louvre |
Arabs Skirmishing in the Mountains Painted: 1863 Oil on canvas 92.5 x 74.6 cm The National Gallery of Art Washington |
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Entry of the Crusaders (of Constantinople on 12 April 1204) Painted: 1840 Canvas 411 x 497 cm Louvre |